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- Time in Japan
- Tokyo Things To Do
Comic Market or Comiket as I will call it from here on out, to the west usually is merely a mystical event. A place you've heard stories about, seen referenced in Anime and Manga, seen pictures of and fanart from. It's something that the majority of people in the western world have relatively little chance of experiencing, after all, it is on the other side of the world and there really is no comparable event anywhere in the world. During my one-year stay in Japan, I had the chance to visit Winter-Comiket and it made it for an absolutely fascinating experience I'm unlikely to forget all too soon. For starters, let me explain what Comiket in itself is about for those who aren't familiar with it. As aforementioned, the name "Comiket" stands for "Comic Market". It's a bi-annual event focusing on what the west generally dubs "Otaku-culture". This includes pretty much anything from Anime and Manga, Doujinshi, over music up to things like fanfiction or self-published web novels. The possibilities are near endless. " order_by="sortorder" order_direction="ASC" returns="included" maximum_entity_count="500"] The difference to your average foreign con is the actual focus of the event. Although a huge amount of companies are represented at Comiket and depending on their popularity can attract absolutely massive crowds, the event itself is mainly about fan created content. This manifests itself in several gigantic halls, packed to the brim with booths of different artists trying to sell their work over the course of the day that rotates each day in order for as many people as possible to be able to put their work on display. Being generally handled as the biggest convention in the world, it should be no surprise that Comiket is not friendly to those who dislike large crowds. The 91st iteration, the one I visited recently, listed over 550.000 visitors over the 3 days in its after report, more than any other convention in the world. A crowd this insane of course also brings with it quite a few negatives. It's incredibly hard to get your hands on a lot of the popular doujinshi and company merchandise due to the sheer amount of people streaming into the halls, making it absolutely necessary to get into Tokyo Big Sight as early as possible. These circumstances have sparked people to start lining up at absolutely impossible hours to get their hands on the things they want the most. So guess what I did. On the first day of Comiket, I woke up at 3 am (Seeing as the Shiohama Sharehouse is relatively close to Tokyo Big Sight, this would mean that if I walked I'd arrive before the first train and with that a big majority of the people attending Comiket). There was a particular, relatively popular company selling a lot of things I wanted to get my hands on, so I did the thing a lot of Comiket attendees will do for their favorite merchandise and woke up around the time I would usually go to bed. Packed with entertainment to pass the time, Food to feast on once I'd eventually get hungry and a good amount of caffeine to keep me awake throughout the day I made my way to Tokyo Big Sight, trying to mentally prepare for the more than five-hour wait I had ahead of me. I'm sure this must sound like absolute hell to most people and that was absolutely what I was thinking it would the evening beforehand, but as it turned out the waiting time was much better than expected. This was partially thanks to my luck of finding someone I would end up being friends with shortly after arriving but also thanks to the general organization of the lines. Although incredibly full from the start the lines don't feel nearly as cramped as one would think, you can leave the line at any point in order to get food or drinks at nearby vending machines and stands and even bring your own blanket or chair to sit on as you wait. In the end, the hour-long wait outside of Tokyo Big Sight in the morning may not be comfortable, but it's certainly not something that will make the entire con experience any less worth it. To me in fact, it only made it all the more memorable. The incredibly long waiting time only ended up building up my anticipation for the event even more and made getting to the booths I wanted to get to and buying the things I was planning to get all the more satisfying. If I were to go to Comiket again I would undoubtedly do it the same way again. Of course, if you don't have any specific, popular things you want to buy there's little reason to go through anything like this. Comiket's organization is absolutely impeccable and makes for one of the smoothest line experiences I've ever had. Of course, it helps that the convention in itself is 100% free meaning no ticket-checking is required, but around an hour after the convention opens there's already close to no need to wait in line anymore. Sadly, that means with all of the people that were originally waiting outside inside already the halls are absolutely cramped and, even worse, the lines for popular artists can be endless. Lines often have to be either led to the outside to continue lining there or have to be cut into several smaller parts so people can continue walking through the already relatively small corridors in between booths. 50 years of experience in holding Comiket, however, make all of this a surprisingly smooth ride as both the people working on site, as well as a lot of the visitors already know the general drill. The event feels chaotic, but it still at all times seems to be under people's control. It's an overwhelmingly odd experience, but for something as gigantic as this to work at least just as well as every smaller foreign con is fascinating to me. So would I actually recommend you to go to Comiket? Absolutely. Even if you aren't hugely into Anime and Manga, I do believe that at the very least the experience of the event is something that'll stay with you for quite a while. I do urge you, however, to think beforehand about how you would like to enjoy the event. Having done both the Hunting after things I wanted to have and the casual strolling around the artist's alley to find things to spend my leftover money on, I can say that both of them are incredibly fun in very different ways, but the former does have a lot of effort put into it beforehand. Doing research via the guidebook available in Akihabara the weeks beforehand, looking up your favorite artists, planning out the best routes for buying your stuff, getting up extremely early etc, is quite exhausting but extremely worth it. On the other hand simply strolling around the convention does, of course, have its own merits. The experience can be extremely calming and is a lot easier especially in its preparation. Instead of the constant running around it allows for a lot more actual looking through things and surprise artists you might not have found otherwise. Regardless of what you chose to do, Comiket is an absolutely insane experience and if you ever get the chance, I highly recommend you go through it!
In Tokyo, you can join a 1-3 months course combining MANGA DRAWING and JAPANESE LANGUAGE LESSONS! " order_by="sortorder" order_direction="ASC" returns="included" maximum_entity_count="500"] The course is an exclusive cooperation between Mangajuku, the number one Manga School of Japan, located at Jimbocho in central Tokyo, which has brought fourth many professional manga artists, and a well-established Japanese language school. For this course, a professional manga artist joins force with a bilingual (Japanese + English) coordinator, so you can join this course without having any Japanese language skills. While studying Japanese language in the mornings (20 hours per week), you learn how to draw manga characters, to develop storylines, draw backgrounds, from analog to digital. The manga drawing classes are in the afternoons (the 4 weeks course includes a total of 5 manga lessons; 8 weeks 10 manga lessons; 12 weeks 16 manga lessons x 120 minutes). The course is available for everyone from the age of 15, both for complete beginners in drawing, as for those who are experts at drawing but would like to broaden their expertise in Japan. Also, the language lessons exist for different levels, from beginner to upper intermediate. The rates for the course (Japanese + Manga) are: 4 weeks: 154,000 Yen 8 weeks: 268,000 Yen 12 weeks: 392,000 Yen The next start dates are: January 8, April 1, July 8 and September 30, 2019 NOW BOOK THIS COURSE! Details about the course: 1. Orientation to the course and outlook of Japanese Manga Self-introduction of the participants and orientation to the course. Exercises. Drawing with a dip pen, filling in procedure, whitening out with liquid and screentones. 2. Character faces How to draw the face. Deformation theory and expressive techniques to show human feeling such as joy, anger, sorrow and pleasure. 3. Drawing the character as a whole Positioning technique of the whole character. Head and body and their proportions. Deformation and attractive poses. 4. Character design 1 Methodology of characterization through fashion, body shape and hair style. 5. Character design 2 Drawing the character in different thema of Japanese Manga. The 4 weeks course finishes here. If you continue, you will learn the following contents: 6. Character motion Practice in drawing running characters. Practice in creating the side composition, or composing from a previous composition. 7. Professional Character Design Actual hands-on experience with a professional manga artist. Lecture about the typical work of a professional manga artist. 8. How to draw the background The basic methodology of background art （clouds and skies trees and leaves, seas and waves. Shaving technique using screentone. 9. Scene allotment Basic description of the panel layout. Trial production of 1 page scene allotment based on an existing story. 10. Digital production （monochrome） Drawing Manga using "CLIP STUDIO PAINT", a piece of computer software. The 8 weeks course finishes here. If you continue, you will learn the following contents: 11. Graduation project 1- monochrome (Draft) Making a cover page of the manga in your debut as a professional manga artist. Drafting with a pencil. 12. Graduation project 2 （Pen lining） Making a cover page of the manga in your debut as a professional manga artist. Pen lining, putting in title (in case of handwritten) 13. Graduation project 3（Digital color） Coloring of the project work by a computer. Coloring of the cover page. Completion of the digitally colored graduation project. 15. Field trip Observation trip regarding manga history and viewing of videos for drawing manga. 16. Final comment and graduation ceremony Review and comment on each graduation project. Presentation of the completion certificate for the course. Do you want to join this Manga Course? Contact us now!
It is a requirement for most nationals to have a Travel Health insurance for the whole duration of their time in Japan in order to get a Working Holiday Visa. The following insurances are recommended: Travel Health Insurance (obligatory). This insurance will cover your expenses for medical consultation, treatments and prescription medicines. Also it usually pays for a flight back home, should it be necessary from a medical point of view, if confirmed by a doctor in Japan. As a Working Holiday traveller, staying for up to one year in Japan, you can also join the Japan National Health Insurance (国民健康保険 Kokumin-Kenkō-Hoken), but you don't have to. You would need to pay for it an amount similar to foreign travel health insurances, but the Japan National Health Insurance only covers 70% of the medical costs, whereas foreign travel health insurances often cover 100%. As medical costs are relatively high in Japan, even the remaining 30% can make a substantial amount. Travel cancellation insurance. If you cannot travel to Japan after having made all travel arrangements due to a serious reason (e.g. serious illness, pregnancy etc - please check the conditions of the insurance), the travel cancellation insurance will reimburse your expenses. Travel cancellation insurances often need to be bought a certain time (e.g. one month) prior to your booked departure date. Liability insurance. As most companies in Japan have an employer’s liability insurance for their employees, this is often not necessary for those who are on a Working Holiday. In any case, please make sure what such liability insurance covers. In some cases, travel liability insurances are limited to liability claims related to travel activities (e.g. if you cause damage to a hotel room, rental surf board etc.), and don't include work-related liability claims.
Japan has a well-developed medical system of high standard, even in small towns. It might be hard at times to find English-speaking healthcare professionals though outside the big cities. Even in Tokyo, if you cannot fluently converse in Japan, options are limited, but available. “St. Luke's Hospital“ and the “Roppongi Midtown Clinic“ are two English-speaking hospitals in Tokyo that feature many medical specialties. As the prescription drugs sold in Japan are mostly made in Japan by Japanese pharmaceutical companies, and foreign medicines are not available, medication might considerably differ from the one you might be familiar with. Almost all drugs need a prescription and there are very few ones you can just buy at a drugstore. If you regularly need prescription drugs, we advise you to bring them from home for your whole duration of stay. Also bring the actual prescription with you, to proof that they are for your personal use. You might be asked at customs to show this. No vaccinations are required by law to enter Japan. Japanese encephalitis, a viral infection transmitted by mosquito bites, might be a risk in the countryside during the summer months (May to October). If you plan to stay in rural areas (e.g. doing farmwork) during these months, you might decide to get vaccinated against it.
As of April 2018, the airports in Japan where you can get your Residence Card on arrival are if you are holding a Working Holiday Visa are Kansai (Osaka), Tokyo-Narita, Tokyo-Haneda, Chūbu (Aichi), New Chitose (Sapporo), Hiroshima and Fukuoka.
Requirement 1: Have a Japanese bank account for your salary If during your Working Holiday you want to do remunerated work, you typically need a Japanese bank account, as employers don't pay out salaries in cash or to foreign bank accounts. There are only a few banks in Japan that open bank accounts for foreigners from the beginning of your stay. Most banks won't do it at all and some only after you have spent at least 6 months in Japan. The banks that open accounts from the beginning of your stay have further restrictions about new accounts, e.g. usually you cannot transfer funds from outside of Japan to your Japanese account within the first 6 months of your stay. Requirement 2: Bring a Credit Card from home So to avoid you have to bring a lot of money in cash and in order to cover your living expenses before you get paid out for the first time, which usually happens on a monthly base after having done the work, it is advisable to bring a credit card from your home country with you. You also need a Credit Card in order to get a mobile phone contract. At some, but not all mobile phone providers this can be a foreign credit card. There is no chance for anyone who is on a Working Holiday visa to get a Japanese credit card. Also it important to know that many ATMs don't accept foreign Credit Cards, even if they have the VISA or Mastercard logo. They only work with VISA and Mastercards issued in Japan. At areas where there are usually many tourists, you can find ATMs accepting foreign-issued credit cards (and even some foreign debit cards such as Maestro and Visa Plus), and also at Japan Postbank and 7Eleven Convenience stores.