- Pop Culture
- Time in Japan
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Ramen is one of Japan's most popular dishes. Many salary men have a bowl of ramen after work in one of Tokyo’s many ramen joints. It's quick, cheap and tasty! So when you are on a Working Holiday in Japan, working in a ramen shop is a great way to really dive into the Japanese experience. We spoke with Ahmed I. (20, from Hamburg in Germany) about his job at a ramen restaurant. Ahmed, could you tell us what a typical work day at a ramen restaurant is like? My work starts in the morning at 9.00am, and because it takes over half an hour to get there by metro I have to wake up quite early. Every morning I start with cleaning. After that I prepare everything in the kitchen before the first guests come, like refilling the green tea cans, putting them on the counter and setting the tables. When the guests come to the restaurant I welcome them with the words "irasshaimase"(be welcome). I then take their orders and serve them their dishes with the words “omatase shimashita" (sorry that you had to wait). It is especially important to speak in a very polite way to the customers. What is demanding about the job? The whole staff consists of only Japanese co-workers, so the communication is not always easy for me. Another thing I had some difficulties with was "to speak loudly”. Every time I got in contact with our customers, I was anxious to speak with a clear and strong voice. This was a very big problem for me in the beginning. Coming out of your shell is not always easy. Which language requirements come with the job? It is very important that you can speak basic Japanese and of course some English as well. All the people who are working here are Japanese, so this is why it is essential to speak at least a little bit of their language so you can communicate. Of course, you must be willing to improve your language skills fast and try to understand things quickly. Do you enjoy working at the ramen restaurant and is there something you don't like about it? I have to say that it is a really nice job. The other staff members are very friendly and I get a small bowl of ramen for free at lunchtime every day, which I enjoy a lot. On the other hand it is sometimes a bit difficult to communicate with people because they speak Japanese fast, which is still hard for me to understand. Another negative aspect would be the short breaks. They sort of expect you to continue to work after only around a 10-minute break. How much money are you earning and is it enough to cover your living expenses? I earn 1,000 Yen per hour, which is around €8. I had to adjust my lifestyle (I'm living in a share house) and save some money in order to let that be enough to live in Tokyo. I'm working here for 4 months now and got used to it. How did you find this job? I talked to a friend at the share house who was already working there and he strongly recommended me to apply. He was quite satisfied with the job, so I thought it would be a good idea for me as well. Did you make any special memories which you will never forget? Yes, I had a great moment when my boss came to me one day and told me that I could design the menu. I really love digital photography, so it was a very gratifying task to take pictures of all the dishes and create the menu. Do you think working at the ramen restaurant improved your Japanese? Well, of course it improved my Japanese because I had to learn new words to speak properly to the customers and communicate with my co-workers. But I have to say that I could not improve as much as I would have liked to because people are very busy at their workplace and didn't have time to explain everything. This can't be helped and I hope I will keep on improving. What are you doing besides working? I like non-touristy places very much. Often I would visit some nice spots in Tokyo, meet friends and go with them on hiking tours and day trips. I also like the bars in Japan, which I sometimes visit on the weekend. Why did you choose Japan? I have always felt a deep connection with Japan. The pop culture, traditional culture and the everyday life caught my interest so I decided to go there and experience it for myself. Would you recommend doing a Working Holiday in Japan to others? Oh yes! People should go out and do something exciting with their life. Traveling to different countries, meeting new people and discovering new places are all amazing opportunities to gain new experiences! Japan is beautiful and I would strongly recommend people to go there. " order_by="sortorder" order_direction="ASC" returns="included" maximum_entity_count="500"]
We’ve met Michaela Z. (26), a German currently living in Shinjuku, Tokyo. She is in Japan for a Working Holiday and a little more than half a year ago she had the opportunity to job for a scuba diving school in a city in eastern Shizuoka prefecture. Michaela was working as the diving teacher's assistant for almost two months before coming back to Tokyo. She told us about her time in Shizuoka. Michaela, how did you land this job? I have been planning for quite a long time to travel to Japan. As I wanted to really immerse myself in the Japanese culture, I decided to come for a long Working Holiday, because working naturally gives you a deeper insight into a foreign culture than, for instance, a short trip. Due to the fact that I wanted to start my adventure on a short notice, I felt safer being supported and therefore decided to use the service of World Unite!. They also helped me to find the job in the scuba diving school in Shizuoka. I simply informed them about my wishes: with a university degree in Hotel and Tourism Management I wanted to find a job related to this area, prior to my departure to Japan. I was introduced to the scuba diving school and got hired for the summer. From when to when have you been working for the diving school? And what were your general working hours? I came to Japan in summer 2016 and after a few days of living in a share house in Tokyo and getting used to the new thermal environment I took the train to Shizuoka to start my work. My new Japanese boss, the diving school's owner and teacher, welcomed me warmly. Originally I was asked to work there for one month, but as I liked the job and my boss was pleased with how I was supporting him and felt that I was a reliable worker, I could stay a few more weeks. After that I went back to Tokyo. There were no fixed daily working hours. But usually the working day started at around 7 am and ended at around 3 pm. Before, during and after the diving lessons the customers had to be taken care of. As long as that was assured, everything was fine. Once a week I could take a day off. But also on working days I had quite an amount of free time, too. When my boss had time, he took me on short trips into the hinterland of Shizuokas. One time a neighbor, the owner of a hotel, took me with him for a hike in the Japanese alps. What kind of demands came with the job? Special skills or previous knowledge about diving or anything weren't required. I was taught everything I needed to know within the first few days of working. During these days I have been assistant and student at the same time. I even made my diver's licence after three days. Although, I also have to admit that it was a plus to already have made experiences in the hotel and restaurant business back in my days as a student. My boss didn't need to explain everything to me twice, as I kind of knew what needed to be done. Not only during the diving courses, but also when it came to care for the customers who stayed at the school owner's guest house. The house is located right next to the ocean. It was such an amazing view! How much did you earn? Was it enough to cover your living expenses? Instead of a salary I received free accommodation at my boss's house and free catering during my whole stay. Also entry fees for several locations such as museums and hot springs were covered. But I had to pay for my first diver's licence. Therefore I had to come to Japan with a little bit of savings. Luckily I could do my second diver's licence for free, though. In late summer, when the diving season came to an end slowly but surely and the diving school became less busy, I started to help out at the neighbor's Hotel for a few days. I received 10,000 JPY a day for that. What were your duties at the diving school? I was basically assisting the owner of the school with his daily work. For instance I needed to prepare the equipment for the diving lessons, explain essential rules to the students and look out for them during the diving. My boss isn't only running the school, but is also lending his boat to his customers for day trips including BBQ and water sports. My task was to welcome the customers and accompany them during their boat trip. While the diving teacher has been snorkeling with some of his students, I needed to watch out for the safety of the on the boat remaining customers. Besides the main business of diving lessons and boat trips, the school's teacher is also running a guest house. My tasks were to prepare the breakfast, do the laundry, clean the house or make the beds. As it was a traditional Japanese house with wooden floors, a lot of windows and tatami mat floors in the guest rooms, the maintenance asked for a careful treatment. Sometimes I did some gardening, too. Did you enjoy the job? And what didn't you like about it? I was enjoying my time in Shizuoka to the fullest. Supporting my boss with his work was a lot of fun and I loved the location. The only disadvantage I saw was that I didn't have a driver's license or a car. In the area the school is located, you really need a car to get somewhere. But well, I had a bicycle, so I often used it for rides along the promenade. Day or night, I could always use my free time to relax at the sea side behind the house. Doing so I had the rare chance to see the blue marine phosphorescence at night. Do you think Working for the diving school helped you improving your Japanese? My boss spoke English fluently, therefore it wasn't difficult to communicate with him. When we both had spare time he taught me some Japanese. During the breakfast with the guests he even asked them to practice their English on me. And the other way around, I was asked to try to speak in Japanese to them. Most of the guests were girls of my age, so we spent our free time together, too. They enjoyed teaching me new words. That helped me to improve my Japanese a little bit. We used to speak in a mix of Japanese and English. In addition, my boss's girlfriend, a Japanese language teacher, visited us quite often on the weekends. She used to live in Austria some years ago and knows some German, so she helped me understanding Japanese grammar and words. Besides the language aspect, what did you learn doing the job? I was working and learning at the same time, because I had never used any kind of diving gear before. I had the chance to complete two diver's licences and also a first aid course. Preparing the breakfast, sometimes alone, sometimes together with he guests, I learned a lot of traditional Japanese recipes, which I'm planning to use even after going back to Germany in a few months. Besides that I had the opportunity to attend Japanese traditional tea ceremonies several times, as my boss is a trained tea ceremony master. I got to know a lot about not only the famous Japanese green tea, but also about Moroccan tea making we even presented the country Morocco on a tea festival in Hakone, where we were handing out mint tea to the visitors in traditional clothing. As I was in charge of arranging our booth, I could live out my passion for decorating. What brought you to Japan to in the first place? What are you doing now back in Tokyo? I've been interested in Japan's culture and tradition since I've been a teenager. I guess most people start being fascinated by Japan in the first place through anime and manga, Japanese cartoons and comics, but for me it has been Japanese rock, pop and also traditional music that is captivating me since then. Listening to all kinds of Japanese music also made me fall in love with the Japanese language. I'm hoping to improve my language skills by doing this Working Holiday. I've actually been in Japan before once in 2009 for a short term cultural exchange program. During this time and also during the time in Germany when I was studying Japanese on my own, I got to know some Japanese people who became close friends of mine. Therefore I'm also using this Working Holiday as an opportunity to meet those people again. Right now I am living here in Shinjuku, Tokyo. While working as a part-timer, I'm trying to meet new people and old friends, as well as attending concerts of musicians that I most likely can never see live back in Germany. On the weekends I usually make short trips to cities nearby. " order_by="sortorder" order_direction="ASC" returns="included" maximum_entity_count="500"]
Comic Market or Comiket as I will call it from here on out, to the west usually is merely a mystical event. A place you've heard stories about, seen referenced in Anime and Manga, seen pictures of and fanart from. It's something that the majority of people in the western world have relatively little chance of experiencing, after all, it is on the other side of the world and there really is no comparable event anywhere in the world. During my one-year stay in Japan, I had the chance to visit Winter-Comiket and it made it for an absolutely fascinating experience I'm unlikely to forget all too soon. For starters, let me explain what Comiket in itself is about for those who aren't familiar with it. As aforementioned, the name "Comiket" stands for "Comic Market". It's a bi-annual event focusing on what the west generally dubs "Otaku-culture". This includes pretty much anything from Anime and Manga, Doujinshi, over music up to things like fanfiction or self-published web novels. The possibilities are near endless. " order_by="sortorder" order_direction="ASC" returns="included" maximum_entity_count="500"]The difference to your average foreign con is the actual focus of the event. Although a huge amount of companies are represented at Comiket and depending on their popularity can attract absolutely massive crowds, the event itself is mainly about fan created content. This manifests itself in several gigantic halls, packed to the brim with booths of different artists trying to sell their work over the course of the day that rotates each day in order for as many people as possible to be able to put their work on display. Being generally handled as the biggest convention in the world, it should be no surprise that Comiket is not friendly to those who dislike large crowds. The 91st iteration, the one I visited recently, listed over 550.000 visitors over the 3 days in its after report, more than any other convention in the world. A crowd this insane of course also brings with it quite a few negatives. It's incredibly hard to get your hands on a lot of the popular doujinshi and company merchandise due to the sheer amount of people streaming into the halls, making it absolutely necessary to get into Tokyo Big Sight as early as possible. These circumstances have sparked people to start lining up at absolutely impossible hours to get their hands on the things they want the most. So guess what I did. On the first day of Comiket, I woke up at 3 am (Seeing as the Shiohama Sharehouse is relatively close to Tokyo Big Sight, this would mean that if I walked I'd arrive before the first train and with that a big majority of the people attending Comiket). There was a particular, relatively popular company selling a lot of things I wanted to get my hands on, so I did the thing a lot of Comiket attendees will do for their favorite merchandise and woke up around the time I would usually go to bed. Packed with entertainment to pass the time, Food to feast on once I'd eventually get hungry and a good amount of caffeine to keep me awake throughout the day I made my way to Tokyo Big Sight, trying to mentally prepare for the more than five-hour wait I had ahead of me. I'm sure this must sound like absolute hell to most people and that was absolutely what I was thinking it would the evening beforehand, but as it turned out the waiting time was much better than expected. This was partially thanks to my luck of finding someone I would end up being friends with shortly after arriving but also thanks to the general organization of the lines. Although incredibly full from the start the lines don't feel nearly as cramped as one would think, you can leave the line at any point in order to get food or drinks at nearby vending machines and stands and even bring your own blanket or chair to sit on as you wait. In the end, the hour-long wait outside of Tokyo Big Sight in the morning may not be comfortable, but it's certainly not something that will make the entire con experience any less worth it. To me in fact, it only made it all the more memorable. The incredibly long waiting time only ended up building up my anticipation for the event even more and made getting to the booths I wanted to get to and buying the things I was planning to get all the more satisfying. If I were to go to Comiket again I would undoubtedly do it the same way again. Of course, if you don't have any specific, popular things you want to buy there's little reason to go through anything like this. Comiket's organization is absolutely impeccable and makes for one of the smoothest line experiences I've ever had. Of course, it helps that the convention in itself is 100% free meaning no ticket-checking is required, but around an hour after the convention opens there's already close to no need to wait in line anymore. Sadly, that means with all of the people that were originally waiting outside inside already the halls are absolutely cramped and, even worse, the lines for popular artists can be endless. Lines often have to be either led to the outside to continue lining there or have to be cut into several smaller parts so people can continue walking through the already relatively small corridors in between booths. 50 years of experience in holding Comiket, however, make all of this a surprisingly smooth ride as both the people working on site, as well as a lot of the visitors already know the general drill. The event feels chaotic, but it still at all times seems to be under people's control. It's an overwhelmingly odd experience, but for something as gigantic as this to work at least just as well as every smaller foreign con is fascinating to me. So would I actually recommend you to go to Comiket? Absolutely. Even if you aren't hugely into Anime and Manga, I do believe that at the very least the experience of the event is something that'll stay with you for quite a while. I do urge you, however, to think beforehand about how you would like to enjoy the event. Having done both the Hunting after things I wanted to have and the casual strolling around the artist's alley to find things to spend my leftover money on, I can say that both of them are incredibly fun in very different ways, but the former does have a lot of effort put into it beforehand. Doing research via the guidebook available in Akihabara the weeks beforehand, looking up your favorite artists, planning out the best routes for buying your stuff, getting up extremely early etc, is quite exhausting but extremely worth it. On the other hand simply strolling around the convention does, of course, have its own merits. The experience can be extremely calming and is a lot easier especially in its preparation. Instead of the constant running around it allows for a lot more actual looking through things and surprise artists you might not have found otherwise. Regardless of what you chose to do, Comiket is an absolutely insane experience and if you ever get the chance, I highly recommend you go through it!
In Tokyo, you can join a 1-3 months course combining MANGA DRAWING and JAPANESE LANGUAGE LESSONS! " order_by="sortorder" order_direction="ASC" returns="included" maximum_entity_count="500"] The course is an exclusive cooperation between Mangajuku, the number one Manga School of Japan, located at Jimbocho in central Tokyo, which has brought fourth many professional manga artists, and a well-established Japanese language school. For this course, a professional manga artist joins force with a bilingual (Japanese + English) coordinator, so you can join this course without having any Japanese language skills. While studying Japanese language in the mornings (20 hours per week), you learn how to draw manga characters, to develop storylines, draw backgrounds, from analog to digital. The manga drawing classes are in the afternoons (the 4 weeks course includes a total of 5 manga lessons; 8 weeks 10 manga lessons; 12 weeks 16 manga lessons x 120 minutes). The course is available for everyone from the age of 15, both for complete beginners in drawing, as for those who are experts at drawing but would like to broaden their expertise in Japan. Also, the language lessons exist for different levels, from beginner to upper intermediate. The rates for the course (Japanese + Manga) are: 4 weeks: 148,000 Yen 8 weeks: 256,000 Yen 12 weeks: 374,000 Yen Start dates are: April 3; July 10 and October 2, 2017 NOW BOOK THIS COURSE! Details about the course: 1. Orientation to the course and outlook of Japanese Manga Self-introduction of the participants and orientation to the course. Exercises. Drawing with a dip pen, filling in procedure, whitening out with liquid and screentones. 2. Character faces How to draw the face. Deformation theory and expressive techniques to show human feeling such as joy, anger, sorrow and pleasure. 3. Drawing the character as a whole Positioning technique of the whole character. Head and body and their proportions. Deformation and attractive poses. 4. Character design 1 Methodology of characterization through fashion, body shape and hair style. 5. Character design 2 Drawing the character in different thema of Japanese Manga. The 4 weeks course finishes here. If you continue, you will learn the following contents: 6. Character motion Practice in drawing running characters. Practice in creating the side composition, or composing from a previous composition. 7. Professional Character Design Actual hands-on experience with a professional manga artist. Lecture about the typical work of a professional manga artist. 8. How to draw the background The basic methodology of background art （clouds and skies trees and leaves, seas and waves. Shaving technique using screentone. 9. Scene allotment Basic description of the panel layout. Trial production of 1 page scene allotment based on an existing story. 10. Digital production （monochrome） Drawing Manga using "CLIP STUDIO PAINT", a piece of computer software. The 8 weeks course finishes here. If you continue, you will learn the following contents: 11. Graduation project 1- monochrome (Draft) Making a cover page of the manga in your debut as a professional manga artist. Drafting with a pencil. 12. Graduation project 2 （Pen lining） Making a cover page of the manga in your debut as a professional manga artist. Pen lining, putting in title (in case of handwritten) 13. Graduation project 3（Digital color） Coloring of the project work by a computer. Coloring of the cover page. Completion of the digitally colored graduation project. 15. Field trip Observation trip regarding manga history and viewing of videos for drawing manga. 16. Final comment and graduation ceremony Review and comment on each graduation project. Presentation of the completion certificate for the course. Do you want to join this Manga Course? Contact us now!